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Moon Bodies / The Coldest Water (2024) delves into themes of emotionality, isolation, and the complexities of female relationships in a utopian yet dystopian landscape. Bodies are collaged and interact with each other ore merely appear side by side within a desolate, cold, color less environment, a symbolic platform to show the current, increasing climate of human isolation especially in urban cities, the quality of Many contemporary relationships and female mental, emotional health.

The female figures within this world appear seductive and ethereal, yet their emotional struggles—despair, injury, and a sense of drowning—reflect the suffocating constraints and expectations imposed upon them. Trapped in roles dictated by societal expectations, their desperation and emotionality echo the current climate of gender-based anger and resistance. This work challenges the viewer to consider the unspoken landscapes of female emotions, female health and female emotional and physical labor, urging a reconsideration of women’s roles and asking for their awakening to new, authentic and self fulfilled and powerful possibilities. The time sensitive project serves as a wake up call to recognize and change the roles and environments women are trapped in and the situations, abuse and physical and verbal violence that women often have to put up with in their homes, work place and in public spaces.